Tour Overview
Brad Williams is bringing his “Tall Tales Tour” to an enormous number of cities across North America and Europe in 2026 and 2027, giving fans many chances to see his high‑energy stand‑up live.
Brad Williams concert is the kind of fast-paced, crowd-ready night out that works equally well in theaters, casino showrooms, and festival settings.
The current run begins in August 2026 and stretches into March 2027, combining solo theater dates, casino shows, and a few special festival appearances.
Tour Schedule
Brad Williams upcoming events span an early U.S. stretch, a fall run packed with weekend dates, and a winter swing into Europe.
The tour launches in the United States with summer 2026 shows in:
- Santa Rosa, California
- Waimea, Hawaii
- San Diego and Temecula, California
Then moves east in September to:
- Erie, Rochester, Ithaca, Hershey, Wilkes‑Barre, Philadelphia, New York City, and Burlington
One standout date is the Great Outdoors Comedy Festival in Mississauga, Canada (Sept 12), where Williams shares the bill with Jeff Arcuri and Grace O’Malley.
October 2026
- Thomas Wolfe Auditorium in Asheville
- Ryman Auditorium in Nashville
- Taft Theatre in Cincinnati
- Key venues across Ohio, Virginia, North Carolina, Illinois, Nebraska, and Iowa
November 2026
- Las Vegas
- Multiple Florida cities
- Georgia, South Carolina, California, New Mexico, Arizona
- Return to Santa Rosa and San Francisco
December 2026
Marks a full European swing, with confirmed dates in:
- Zürich (Switzerland)
- Berlin (Germany)
- Amsterdam (Netherlands)
- Stockholm (Sweden)
- Oslo (Norway)
- Copenhagen (Denmark)
- Glasgow (Scotland)
- Dublin (Ireland)
- London and Manchester (England)
He then returns to the U.S. for late‑December and New Year’s Eve shows in Oklahoma and Texas.
2027 Leg
The 2027 leg brings Brad back to:
- Pacific Northwest (Portland and Eugene)
- Northeast (Syracuse, Portland ME, Concord NH)
- Mountain West (Cheyenne, Denver, Colorado Springs)
- South and Texas (Amarillo, Houston, Corpus Christi, Charlotte, Atlanta, Biloxi, Birmingham)
Given the size and pacing of this schedule, additional dates, second shows, or festival appearances are very possible, especially in major markets where tickets sell quickly. Fans should check official ticket outlets regularly for updates and on‑sale announcements.
Brad Williams tour dates Table (Sample)
| Date | City | Country | Venue |
|---|---|---|---|
| Aug 14, 2026 | Waimea | US | Kahilu Theatre Foundation |
| Sep 19, 2026 | New York | US | Town Hall New York |
| Dec 5, 2026 | Zürich | Switzerland | Neues Theater Spirgarten |
Tour Schedule Details
Brad Williams tour dates are shaping up as a packed, multi-leg extension of his Tall Tales Tour, crisscrossing the United States and Canada with club-style theaters, classic halls, casinos, and outdoor festival stages. The North American dates begin in summer 2026 and stretch into spring 2027, with an especially dense block of shows in the fall and winter that will make his material accessible to audiences in nearly every major region.
The tour includes an early stop in Hawaii at Kahilu Theatre Foundation in Waimea, HI (Aug 14, 2026), then shifts to California with dates at Humphreys Concerts by the Bay in San Diego (Aug 28) and Pechanga Theater in Temecula (Aug 29). Early September focuses on the Northeast and Great Lakes region: Warner Theatre in Erie, PA (Sep 10), Kodak Center in Rochester, NY (Sep 11), and State Theatre of Ithaca in Ithaca, NY (Sep 12). On Sep 13 he headlines Hershey Theatre in Hershey, PA, followed later that month by F.M. Kirby Center in Wilkes-Barre, PA (Sep 17), Miller Theater at the Kimmel Cultural Campus in Philadelphia, PA (Sep 18), Town Hall in New York City (Sep 19), and Flynn Center for the Performing Arts in Burlington, VT (Sep 20).
October 2026
- Thomas Wolfe Auditorium in Asheville, NC (Oct 1)
- Ryman Auditorium in Nashville, TN (Oct 2)
- Center Stage/Hard Rock Rocksino in Northfield, OH (two performances on Oct 3)
- Taft Theatre in Cincinnati, OH (Oct 4)
- Repeat and new stops in Ithaca, NY (Oct 8), Stamford, CT (Oct 9), Charles Town, WV (Oct 10), Fort Wayne, IN (Oct 15), Chicago, IL (Oct 16), Omaha, NE (Oct 17), and Ames, IA (Oct 18)
- Virginia–Carolina swing through Norfolk (Oct 22), Richmond (Oct 23), Durham, NC (Oct 24), and Roanoke, VA (Oct 25)
Festival Highlight
A major festival highlight is the Great Outdoors Comedy Festival in Erindale Park, Mississauga, Canada on Sep 12, 2026, where Williams shares the bill with Jeff Arcuri and Grace O’Malley, exposing him to large multi-comic crowds in an outdoor setting. This festival stop is one of the few announced Canadian appearances in this cycle and signals continued demand for his stand-up beyond standard theater bookings.
Late 2026 Schedule
The late 2026 schedule brings him back to major West Coast and Southwest markets. He performs a late show at the Palazzo Theatre at The Venetian in Las Vegas, NV (Nov 7), then embarks on a southeastern run through Ruth Eckerd Hall in Clearwater, FL (Nov 12), Maxwell C. King Center in Melbourne, FL (Nov 13), Albany Municipal Auditorium in Albany, GA (Nov 14), and Charleston Music Hall in Charleston, SC (Nov 15). After that, he returns west with The Wiltern in Los Angeles, CA (Nov 19), Kiva Auditorium in Albuquerque, NM (Nov 20), Celebrity Theatre in Phoenix, AZ (Nov 21), Linda Ronstadt Music Hall in Tucson, AZ (Nov 22), and Northern California dates at Palace of Fine Arts in San Francisco (Nov 28) and Ruth Finley Person Theater in Santa Rosa (Nov 29).
New Year’s Push
The 2026 North American leg closes with a New Year’s push: Rose State College Performing Arts Center in Midwest City, OK (Dec 30) and Majestic Theatre in San Antonio, TX (Dec 31), providing year-end shows that often feature especially high-energy crowds. The tour resumes in early 2027 with a Pacific Northwest block at Arlene Schnitzer Hall in Portland, OR (Jan 8) and McDonald Theatre in Eugene, OR (Jan 9). Late January brings him back to the Northeast—Crouse Hinds Theater in Syracuse, NY (Jan 22), Merrill Auditorium in Portland, ME (Jan 23), and Capitol Center for the Arts in Concord, NH (Jan 24). He then targets the Mountain West with Cheyenne Civic Center in Cheyenne, WY (Jan 28), Paramount Theatre in Denver, CO (Jan 29), and Pikes Peak Center in Colorado Springs, CO (Jan 30). In February and March 2027, the focus shifts to Texas and the Southeast, including Amarillo Civic Center (Feb 11), 713 Music Hall in Houston, TX (Feb 12), Arena at Hilliard Center in Corpus Christi, TX (Feb 13), Ovens Auditorium in Charlotte, NC (Mar 18), Atlanta Symphony Hall (Mar 19), IP Casino Resort and Spa in Biloxi, MS (Mar 20), and Alabama Theatre in Birmingham, AL (Mar 21), completing a sweeping North American circuit that solidifies Brad Williams’ status as a major touring comedian.
Brad Williams Tour Schedule
Brad Williams shows span an unusually wide range of states, provinces, and countries, giving fans many chances to see him live. In the United States alone, the schedule reaches the West Coast, East Coast, South, Midwest, Mountain West, and even parts of New England. Key states include:
- California, Hawaii, Pennsylvania, New York, Vermont, North Carolina, Tennessee, Ohio, Virginia, Nebraska, Iowa, Nevada, Florida, Georgia, South Carolina, New Mexico, Arizona, Oregon, Oklahoma, Texas, Wyoming, Colorado, Alabama, North Carolina, and more
Many cities get prime weekend slots, and some venues even host multiple shows in a single day. For instance, Northfield, Ohio lists both 7:00 PM and 10:30 PM performances at Center Stage/Hard Rock Rocksino on October 3, 2026, allowing more fans to attend. California alone features dates in Santa Rosa, Waimea (HI is nearby on the tour calendar), San Diego, Temecula, Los Angeles, San Francisco, and Santa Rosa again, making it a stronghold for his fan base.
Simplified Look at Select Stops by City
- West Coast: San Diego, Los Angeles, San Francisco, Santa Rosa, Portland (OR), Eugene, Phoenix, Tucson
- Central & Mountain: Denver, Colorado Springs, Cheyenne, Amarillo, Oklahoma City, Biloxi
- Midwest: Chicago, Omaha, Ames, Cincinnati, Northfield
- East & South: New York City, Philadelphia, Atlanta, Birmingham, Charlotte, Richmond, Norfolk, Charleston
- International: Zürich, Berlin, Amsterdam, Stockholm, Oslo, Copenhagen, Glasgow, Dublin, London, Manchester, Mississauga
Internationally, Williams expands beyond North America into Europe, visiting major cultural hubs such as Berlin, Amsterdam, Stockholm, Oslo, Copenhagen, Glasgow, Dublin, London, and Manchester. Each of these cities is known for strong live-comedy audiences, which suggests his material has global appeal and that this tour is designed not just as a national circuit, but as a full-scale international comedy campaign reaching diverse crowds in many different regions.
Popular Comedy Venues
Brad Williams’ Tall Tales Tour runs through a wide range of venues, each shaping how his comedy feels and how fans experience the show. Three major categories stand out: big arenas, classic theaters, and intimate comedy clubs, and his schedule from 2026–2027 hits examples of all three across North America and Europe.
Arenas
Arenas are the largest venues on the tour and are usually built for concerts, sports, or large events. These spaces can fit thousands of people, which allows more fans to see a single show but also demands strong sound systems, big video screens, and tight timing. On this tour, larger multi-use venues like the Arena at Hilliard Center in Corpus Christi, the IP Casino Resort and Spa in Biloxi, and the Arena-style halls in cities like Birmingham’s Alabama Theatre or Denver’s Paramount Theatre act in a “mini-arena” role, with wide seating layouts and strong technical support. What makes arenas notable for comedy is their scale: laughter rolls in waves, and the performer must use bigger gestures, clearer setups, and more universal material so it reaches the back row. The atmosphere feels like an event or a spectacle, which suits a well-known headliner like Williams who can command a crowd’s attention for a full evening.
Theaters
Theaters are the core of Brad Williams’ Tall Tales Tour and provide the ideal balance between size and intimacy. These venues, such as the Ryman Auditorium in Nashville, The Chicago Theatre, the Majestic Theatre in San Antonio, and Town Hall in New York City, usually seat between 1,500 and 3,500 people. Many are historic buildings with strong acoustic design, meaning audiences can hear subtle changes in tone, timing, and volume. This helps a storyteller like Williams, whose act depends on punchy one-liners but also on detailed anecdotes and shifts in emotion. Theaters typically offer:
- Steeply raked seating for clear sightlines.
- Professional lighting and sound crews experienced with spoken-word events.
- A “big night out” atmosphere that encourages audiences to focus, silence phones, and stay engaged.
Regional theaters on the tour, like the Flynn Center in Burlington, the Hershey Theatre, Edinburgh-style rooms like Bremen Teater in Copenhagen, and venues such as Taft Theatre in Cincinnati or the Warner Theatre in Erie, add another layer of charm. They anchor comedy within local communities while still feeling polished and professional.
Comedy Clubs
Comedy clubs are smaller, more intimate rooms where the audience sits close to the stage, often at tables with food and drinks. While Williams’ Tall Tales Tour is mostly in theaters and halls, some stops resemble club-style setups, such as the Glee Club Glasgow or Punch L!ne Club Berlin, which are part of dedicated stand-up circuits. These venues might seat a few hundred people, but they are designed specifically for stand-up, with low ceilings, tight rows, and dark lighting that keep focus on the performer. Clubs are notable for their immediacy: comedians can read reactions instantly, adjust jokes on the fly, and interact directly with audience members. For an established comic, club-like stops on a big tour allow experimentation with new tags, crowd work, and local references that keep each show unique while still delivering a polished hour.
Brad Williams tickets
Tickets to see Brad Williams are available at several levels, from standard seats to premium experiences that include meeting the comedian in person. Prices vary based on city, venue size, seating location, and demand, but typical base tickets often start in the lower price range for upper-balcony or rear-orchestra seats and rise for closer, center-stage views. Larger theaters and casino showrooms may charge more for prime locations, especially on weekend dates or for late-night shows that draw high demand.
VIP Meet & Greet Packages
VIP Meet & Greet packages are offered at many of his shows and are the best option for fans who want extra access. These packages usually include:
- A reserved premium seat
- Early entry to the venue
- A post-show meet & greet
- A photo opportunity with Brad Williams
- Sometimes exclusive merchandise like signed posters or tour-branded items
VIP prices are higher than standard tickets because they bundle the best seats with the personal experience, and quantities are limited, so they often sell out before regular seating sections.
Presale Opportunities
Presale opportunities give fans early access before the general public. Common presales include:
- Venue or promoter presales
- Artist or fan-club presales
- Credit-card partner presales
Each presale uses a unique code, which might be emailed to subscribers, posted on the venue’s website, or shared through Brad Williams’ official social media and mailing list. Buying during presale can help secure better seats at face value, especially in popular markets where shows are likely to sell quickly.
Resale Tickets
Brad Williams concert tickets can still be found through official resale tools and major secondary marketplaces when a date is sold out.
When a show sells out, legitimate resale tickets can still be found, but buyers should be cautious. Trusted options include the venue’s official resale platform (if available) and major, well-known secondary marketplaces that offer verified tickets and buyer guarantees. Avoid tickets sold through informal channels or screenshots of QR codes, which are more vulnerable to scams. Whenever possible, start by purchasing through the venue box office, the official ticketing partner listed on Brad Williams’ website or social pages, or clearly authorized links from the promoter, and compare prices and fees before completing your order.
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Conclusion
Brad Williams’ “Tall Tales Tour” is designed as a high-energy, story-driven stand-up show where jokes come rapid-fire but are anchored in well-crafted personal narratives. You can expect a classic theater-style comedy experience: lights down, a single mic on stage, and Williams commanding the room with fast pacing, physical animation, and sharp punchlines that rarely leave much dead air. His style blends traditional setup-and-punch joke writing with longer stories that build to big payoffs, all while keeping the tone loose and conversational so the audience feels like they’re hanging out rather than watching a formal performance.
The expected material leans heavily on autobiographical themes: life as a little person, navigating relationships, family dynamics, and the awkward or absurd situations that come with traveling and being recognized as a comedian. He often touches on disability, social stereotypes, and political correctness, but his focus is on making everyone laugh rather than lecturing. Sensitive topics may appear, yet they’re filtered through self-deprecating humor and perspective, making the show feel bold but not mean-spirited.
Audience interaction usually appears as quick riffs on crowd reactions, front-row behavior, or local references tied to the city or venue, rather than extended crowd work where he builds the entire set around the audience. He’s known to improvise tags to jokes, respond to shout-outs, and adapt to the energy in the room, but he generally sticks to a structured set so the show feels polished and cohesive.
Most stops on the Tall Tales Tour follow a standard format: one or two opening acts (often club-level or rising comics) warming up the crowd for 15–25 minutes total, a brief changeover, then Williams performing roughly 60–75 minutes. Overall, you should plan on about 90 minutes to two hours of live comedy, including openers and transitions.
Brad Williams album searches often relate to recorded comedy specials rather than traditional music releases.
Brad Williams songs are not typically part of his stand-up sets, since the show is built around jokes and storytelling rather than musical performance.
Brad Williams has steadily built a reputation as one of the most energetic and personal storytellers in stand-up, and his latest specials show how his comedy has matured while staying just as fearless. His most recent widely released hour is “Brad Williams: Starfish,” which premiered on Veeps (a livestream and on‑demand platform) in 2023 after being filmed on tour. In “Starfish,” Williams leans even harder into autobiographical material: his experiences as a little person, becoming a husband and father, and the awkward, often hilarious ways strangers react to his disability. The title refers to a key bit about survival and resilience, and the special mixes fast punchlines with surprisingly heartfelt moments.
Before “Starfish,” many fans discovered him through “Brad Williams: Fun Size” (2015) and “Brad Williams: Daddy Issues” (2016), both released on Showtime and later made available on streaming services and digital purchase platforms. Those hours established his style: high-energy storytelling about sex, relationships, family, and life with dwarfism, delivered with sharp self‑deprecation and zero interest in “safe” topics.
While “Starfish” is his latest headlining special, Williams continues to build toward another filmed hour with his upcoming Tall Tales Tour, running through late 2026 and into 2027 across the United States, Canada, and Europe. Although no platform has been officially announced for the next special, tours of this size often lead to a new streaming release, potentially on a major service like Netflix, Prime Video, or another comedy‑focused platform, where his previous work and clips already circulate widely.