The Killers of Kill Tony tour for late 2026 is an extensive run of live shows built around the popular stand‑up and comedy podcast ecosystem led by Tony Hinchcliffe and the Kill Tony regulars. In this format, fans can usually expect rapid‑fire stand‑up, crowd interaction, and the same unpredictable, roast‑heavy energy that made the show famous online, translated to large theaters across North America. While lineups can vary by city, the branding “Killers of Kill Tony” signals a showcase of the show’s strongest recurring comics, sometimes joined by special guests such as David Lucas, who is explicitly billed on the Evansville date.
The confirmed 2026 routing stretches from July through December and covers the United States and Canada. In July, the tour hits Tucson, Portland, Oklahoma City, Little Rock, Chattanooga, Lubbock, Midland (with multiple shows in one night and across days), Duluth, and Rochester. August brings Evansville, Huntsville, Mobile, Hershey, Albany, Syracuse, and Worcester. September dates include Cedar Rapids, Peoria, San Diego, Indio, and two performances in San Jose. October features Jacksonville, West Palm Beach, Wichita, Colorado Springs, Cleveland, Columbus, Stamford, Wallingford, and more Midwest and East Coast stops. November extends the run to Boise, Spokane, Athens, Cincinnati, Winnipeg (with early and late shows), Calgary, Vancouver, and early December dates in Wheatland and Laughlin. The final announced 2026 show lands in Atlantic City on December 12, suggesting a year‑long arc with minimal gaps.
A complete list of announced 2026 dates is shown below.
| Date (Local) | Time | City | Venue | Country |
|---|---|---|---|---|
| Jul 10, 2026 | 7:00 PM | Tucson, AZ | The Linda Ronstadt Music Hall | US |
| Jul 11, 2026 | 7:00 PM | Portland, OR | Arlene Schnitzer Hall | US |
| Jul 16, 2026 | 7:00 PM | Oklahoma City, OK | The Criterion Oklahoma City | US |
| Jul 17, 2026 | 7:00 PM | Little Rock, AR | Robinson Center Music Hall | US |
| Jul 18, 2026 | 7:00 PM | Chattanooga, TN | Soldiers and Sailors Memorial Auditorium | US |
| Jul 24, 2026 | 7:00 PM | Lubbock, TX | DeVitt Jones Theater at The Buddy Holly Hall | US |
| Jul 24, 2026 | 7:30 PM | Midland, TX | Wagner Noel Performing Arts Center | US |
| Jul 24, 2026 | 11:00 PM | Midland, TX | Wagner Noel Performing Arts Center | US |
| Jul 25, 2026 | 7:30 PM | Midland, TX | Wagner Noel Performing Arts Center | US |
| Jul 31, 2026 | 7:00 PM | Duluth, MN | DECC Symphony Hall | US |
| Aug 1, 2026 | 7:00 PM | Rochester, MN | Mayo Civic Center Auditorium | US |
| Aug 13, 2026 | 7:00 PM | Evansville, IN | Victory Theatre (w/ David Lucas) | US |
| Aug 14, 2026 | 7:00 PM | Huntsville, AL | Mark C. Smith Concert Hall | US |
| Aug 15, 2026 | 7:00 PM | Mobile, AL | Saenger Theatre Mobile | US |
| Aug 21, 2026 | 7:00 PM | Hershey, PA | Hershey Theatre | US |
| Aug 22, 2026 | 7:00 PM | Albany, NY | Palace Theatre Albany | US |
| Aug 28, 2026 | 7:00 PM | Syracuse, NY | Crouse Hinds Theater at Oncenter | US |
| Aug 29, 2026 | 7:00 PM | Worcester, MA | The Hanover Theatre & Conservatory | US |
| Sep 11, 2026 | 7:00 PM | Cedar Rapids, IA | Paramount Theatre Cedar Rapids | US |
| Sep 12, 2026 | 7:00 PM | Peoria, IL | Prairie Home Alliance Theater at Peoria Civic Center | US |
| Sep 18, 2026 | 7:00 PM | San Diego, CA | San Diego Civic Theatre | US |
| Sep 19, 2026 | 8:00 PM | Indio, CA | Fantasy Springs Resort Casino | US |
| Sep 25, 2026 | 12:00 PM | San Jose, CA | The San Jose Civic | US |
| Sep 25, 2026 | 7:00 PM | San Jose, CA | The San Jose Civic | US |
| Oct 2, 2026 | 7:00 PM | Jacksonville, FL | Moran Theater at Jacksonville Center | US |
| Oct 3, 2026 | 7:00 PM | West Palm Beach, FL | Dreyfoos Hall at Kravis Center | US |
| Oct 9, 2026 | 7:00 PM | Wichita, KS | Century II Performing Arts & Convention Center | US |
| Oct 10, 2026 | 7:00 PM | Colorado Springs, CO | Pikes Peak Center for the Performing Arts | US |
| Oct 15, 2026 | 7:00 PM | Cleveland, OH | Connor Palace at Playhouse Square | US |
| Oct 16, 2026 | 7:00 PM | Columbus, OH | Mershon Auditorium at Wexner Center | US |
| Oct 23, 2026 | 8:00 PM | Stamford, CT | Palace Theatre at Stamford Center for the Arts | US |
| Oct 24, 2026 | 8:00 PM | Wallingford, CT | Toyota Oakdale Theatre | US |
| Nov 6, 2026 | 7:00 PM | Boise, ID | Main Hall at Morrison Center | US |
| Nov 7, 2026 | 7:00 PM | Spokane, WA | First Interstate Center for the Arts | US |
| Nov 13, 2026 | 7:00 PM | Athens, GA | Classic Center Theatre | US |
| Nov 14, 2026 | 7:00 PM | Cincinnati, OH | Taft Theatre | US |
| Nov 20, 2026 | 7:00 PM | Winnipeg | Burton Cummings Theatre | Canada |
| Nov 20, 2026 | 9:30 PM | Winnipeg | Burton Cummings Theatre | Canada |
| Nov 27, 2026 | 8:00 PM | Calgary | Grey Eagle Event Centre | Canada |
| Nov 28, 2026 | 7:00 PM | Vancouver | Orpheum Theatre Vancouver | Canada |
| Dec 4, 2026 | 8:00 PM | Wheatland, CA | Hard Rock Live Sacramento | US |
| Dec 5, 2026 | 7:00 PM | Laughlin, NV | Harrahs Rio Vista Outdoor Amphitheater | US |
| Dec 12, 2026 | 8:00 PM | Atlantic City, NJ | Tropicana Showroom at Tropicana | US |
Because tours linked to active podcasts often add cities in waves, it is reasonable to expect more dates or extra late‑show additions in high‑demand markets as 2026 progresses and 2027 planning takes shape, so fans should monitor official ticket outlets and the show’s channels for updates.
Kill Tony North American Tour 2026 / 2027
The Killers of Kill Tony 2026–2027 North American tour brings the popular Kill Tony universe from its Austin home base to theaters across the U.S. and Canada, giving fans a live, uncensored version of the rapid-fire stand‑up and roasting they know from the podcast. The run begins July 10, 2026, at The Linda Ronstadt Music Hall in Tucson, Arizona, then heads northwest to Arlene Schnitzer Hall in Portland, Oregon, on July 11. From there, the show moves through the central U.S., hitting The Criterion in Oklahoma City on July 16, Robinson Center Music Hall in Little Rock on July 17, and Soldiers and Sailors Memorial Auditorium in Chattanooga on July 18. Late July focuses on Texas and the upper Midwest, with dates at the DeVitt Jones Theater in Lubbock on July 24, multiple shows at the Wagner Noel Performing Arts Center in Midland on July 24 and 25, DECC Symphony Hall in Duluth on July 31, and the Mayo Civic Center Auditorium in Rochester on August 1.
Mid‑August spotlights the South and lower Midwest. There is a “Killers of Kill Tony w/ David Lucas” show at Victory Theatre in Evansville, Indiana, on August 13, followed by Huntsville’s Mark C. Smith Concert Hall on August 14 and the Saenger Theatre in Mobile on August 15. Late August brings a northeastern leg: Hershey Theatre in Pennsylvania on August 21, Palace Theatre in Albany on August 22, Crouse Hinds Theater in Syracuse on August 28, and The Hanover Theatre in Worcester on August 29. September features Cedar Rapids on the 11th, two listings for Peoria on the 12th, San Diego Civic Theatre on the 18th, Indio’s Fantasy Springs Resort Casino on the 19th, and a two‑show day at The San Jose Civic on September 25.
The fall and early winter stretch includes Florida (Jacksonville, then West Palm Beach), Wichita and Colorado Springs in October, plus Cleveland, Columbus, Stamford, and Wallingford. November and December expand into Boise, Spokane, Athens, Cincinnati, and Laughlin, and importantly add Canadian stops in Winnipeg, Calgary, and Vancouver, before closing with Hard Rock Live Sacramento and an Atlantic City finale. No dedicated festival appearances or further international dates have been formally announced beyond these Canadian theater shows.
Kill Tony Tour Schedule
The Killers of Kill Tony tour in 2026 covers a wide sweep of North America, giving fans across the U.S. and Canada a chance to see the show’s rapid-fire stand‑up, roasting, and improvised riffing live. Kill Tony comedy shows are scheduled from July through December, moving broadly west to east and then looping back, which allows the show to hit major regions multiple times while keeping travel relatively efficient.
By state and province, the tour includes:
- Arizona, Oregon, Oklahoma, Arkansas, Tennessee, Texas, Minnesota, Indiana, Alabama, Pennsylvania, New York, Massachusetts, Iowa, Illinois, California, Florida, Kansas, Colorado, Ohio, Connecticut, Idaho, Washington, Georgia, New Jersey in the U.S.
- Manitoba, Alberta, British Columbia in Canada.
Cities are chosen to balance large metro areas with strong comedy followings and mid‑sized cities that often get fewer major podcast‑based tours. Key U.S. stops include Tucson (Linda Ronstadt Music Hall), Portland (Arlene Schnitzer Hall), Oklahoma City (The Criterion), Little Rock (Robinson Center Music Hall), Chattanooga, Lubbock, Midland, Duluth, Rochester, Evansville, Huntsville, Mobile, Hershey, Albany, Syracuse, Worcester, Cedar Rapids, Peoria, San Diego, Indio, San Jose, Jacksonville, West Palm Beach, Wichita, Colorado Springs, Cleveland, Columbus, Stamford, Wallingford, Boise, Spokane, Athens, Cincinnati, Atlantic City, and Laughlin.
In Canada, the show visits Winnipeg (Burton Cummings Theatre), Calgary (Grey Eagle Event Centre), and Vancouver (Orpheum Theatre), signaling the podcast’s strong international audience. Some locations, like Midland and Winnipeg, feature multiple showtimes on the same day, suggesting high demand and the producers’ confidence in selling out extended runs.
Overall, the tour schedule highlights how Kill Tony has grown from a Los Angeles club show into a large‑scale touring production capable of filling theaters, reaching fans in diverse regions, and turning its interactive comedy format into a nationwide live experience.
Popular Comedy Venues
Kill Tony show venues range from intimate theaters to major civic halls and casino showrooms, each shaping how the comedy feels from the audience’s seat. Understanding arenas, theaters, and comedy clubs—and how the listed stops fit into those categories—helps explain why the same comedians can feel so different from city to city.
Arenas are the largest spaces comedians play, usually designed for sports or massive concerts. None of the announced dates are true basketball‑style arenas, but some venues share similar large‑scale features: thousands of seats, high ceilings, and broad stages that demand big, clear performances. Places like the San Diego Civic Theatre, The San Jose Civic, and Toyota Oakdale Theatre in Wallingford function in an arena‑like way for comedy. They use powerful sound systems, overhead lighting rigs, and big projection screens so fans in the back can still see facial expressions and crowd reactions. Large halls like Grey Eagle Event Centre in Calgary and Harrahs Rio Vista Outdoor Amphitheater in Laughlin also push shows toward a high‑energy, almost rock‑concert atmosphere, with roaring entrances, loud walk‑on music, and huge applause breaks that feed the comedians’ pacing and timing.
Most dates on the tour land in theaters, which are the classic choice for stand‑up because they balance size and intimacy. The schedule is packed with historic or prestigious rooms, including:
- The Linda Ronstadt Music Hall (Tucson)
- Arlene Schnitzer Hall (Portland)
- Robinson Center Music Hall (Little Rock)
- Hershey Theatre (Hershey)
- Connor Palace at Playhouse Square (Cleveland)
- Taft Theatre (Cincinnati)
- Orpheum Theatre Vancouver (Vancouver)
These theaters usually seat 1,500–3,000 people, with sloped floors or balconies that keep viewers relatively close to the stage. Their design emphasizes acoustics, so even low‑key moments—like a muttered tag or a whispered insult—carry clearly to the back row. Many of these buildings were originally built for symphonies or Broadway tours, which explains their ornate interiors, grand lobbies, and formal sightlines. That elegance can heighten the sense of occasion: you are not just watching a podcast taping; you are attending an event in one of the city’s cultural landmarks. At the same time, because the distances are smaller than in true arenas, the comics can still riff with individual audience members, respond to shouts, and make the night feel personal.
Traditional comedy clubs are usually much smaller, often a few hundred seats, with low ceilings, tight tables, and a strong focus on food and drink service. The “Killers of Kill Tony” tour, built around a hugely popular podcast and its associated comics, skips typical club rooms in favor of theaters and civic centers like The Criterion Oklahoma City, Pikes Peak Center for the Performing Arts (Colorado Springs), and Classic Center Theatre (Athens). However, many of these spaces adapt club‑style elements—close‑set rows near the stage, bar service in the lobby, or late‑night showtimes like the 11:00 PM performance at Wagner Noel Performing Arts Center—to recreate that loose, anything‑can‑happen club energy on a much larger scale.
Kill Tony tickets
Kill Tony stand-up tickets are in high demand, so understanding how pricing and sales work can save money and stress. Standard ticket prices usually vary based on city, venue size, and seat location. Balcony or rear-orchestra seats tend to be the most affordable, while front-orchestra and center sections cost more because they offer the best view of the comics, band, and onstage action. Prices can also rise as the show date approaches, especially if the event is close to selling out, so buying early is usually smarter than waiting.
Many venues offer VIP or premium packages for fans who want an upgraded experience. A typical VIP Meet & Greet package may include a premium seat near the stage, early entry, a brief meet and greet with selected comedians, a photo opportunity, and sometimes exclusive merchandise like posters or lanyards. These packages are noticeably more expensive than standard tickets, but they appeal to serious fans who want personal interaction, better views, and souvenirs from the night.
Presale opportunities are another key part of the ticket-buying process. Presales often open a day or more before the general public on-sale and may be available to fan club members, credit-card holders, venue email subscribers, or people with a special promo code. Signing up for venue or promoter newsletters, following Kill Tony–related social media accounts, and checking major ticketing platforms regularly can help you get presale codes and access the best seats before they are gone.
Because Kill Tony shows can sell out quickly, many fans turn to resale options. The safest approach is to use well-known, verified resale marketplaces that offer ticket guarantees and customer support. These sites verify barcodes or use official transfer systems so buyers are protected from fake tickets. Avoid buying from random individuals on social media or unverified classifieds, since those purchases are much harder to trace or refund. Always compare prices, factor in service fees, and confirm seat locations before finalizing a purchase so you get a legitimate ticket at a fair price.
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Show Information
Kill Tony shows are built around the loose, improvisational spirit of the hit podcast, but shaped into a tight, high-energy live show. You can expect a mix of sharp stand‑up, crowd interaction, and spontaneous riffing that feels different in every city, whether you catch it in Tucson, Portland, Oklahoma City, Winnipeg, or Vancouver. The tone leans edgy and confrontational, but the performers rely on quick wit more than shock value alone, so the show stays playful even when the jokes hit hard.
Most performances open with a strong local or touring comedian who warms up the crowd with 15–25 minutes of prepared material. On some dates, like the Evansville stop billed as “Killers of Kill Tony w/ David Lucas,” a featured regular joins the lineup and essentially functions as a co‑headliner, adding more roasting and crowd play to the front half of the night. After the opener, the core Killers of Kill Tony comics come out with a mix of honed bits and free‑form banter tailored to that specific venue and audience.
Recurring topics include life on the road, strange regional quirks they’ve noticed in places like Hershey, San Diego, and Calgary, behind‑the‑scenes comedy stories, relationships, and modern internet culture. They often call back to things that happen in the room: a late arrival, a loud laugher, or someone in a standout outfit may become a running reference. Audience interaction is mostly verbal and voluntary—simple questions, playful roasting, and occasional back‑and‑forth with anyone eager to speak up—so you can comfortably attend without being put on the spot if you prefer to stay quiet.
From first opener to final closer, expect roughly 90–120 minutes of showtime, depending on the night, the venue, and how wild the crowd gets with its energy and participation.
Latest Kill Tony Comedy Specials
Kill Tony stand-up special coverage is most often delivered through filmed live episodes, tours, and digital releases that function much like modern specials. The core show—hosted by Tony Hinchcliffe with bandleader Jeremiah Watkins and a rotating panel of guests—is released weekly on YouTube and podcast platforms, and these episodes are now produced with multi‑camera setups, high‑quality sound, and professional editing, giving them a “special‑like” polish. Many fans treat milestone episodes (anniversaries, live from major theaters, or stacked-guest panels) as feature events comparable to stand‑up specials.
Kill Tony comedy special moments also come from tour filming and highlight clips shared across YouTube, Instagram, and other social platforms, allowing standout sets and crowd reactions to live on like mini‑specials. These clips often go viral, giving individual comedians breakout exposure.
Traditional streaming platforms such as Netflix, Hulu, and Amazon Prime Video primarily host solo specials from comedians associated with the show rather than full “Kill Tony” episodes. However, the show’s strong YouTube presence effectively makes it a continuously updating, streaming comedy series. For viewers, subscribing to the official channel is the best way to access the latest “special‑level” performances and stay current with new releases.
Kill Tony Tour News & Updates
Kill Tony upcoming events are expanding aggressively across North America, with a packed schedule stretching from mid-2026 to the end of the year. Recent announcements confirm a broad sweep through the United States and Canada, giving fans in multiple regions a chance to experience the show’s live, anything-can-happen energy. While specific lineups can vary by city, audiences can generally expect the trademark mix of rapid-fire stand-up, live roasting, and spontaneous interaction that has defined the Kill Tony brand.
Summer 2026 dates anchor the first wave of shows. The run opens July 10 at The Linda Ronstadt Music Hall in Tucson, followed by July 11 at Portland’s Arlene Schnitzer Hall. From there, the tour moves through the
central U.S., hitting The Criterion in Oklahoma City (July 16), Robinson Center Music Hall in Little Rock (July 17), and Soldiers and Sailors Memorial Auditorium in Chattanooga (July 18). West Texas gets heavy coverage on July 24, with a show at Lubbock’s DeVitt Jones Theater at The Buddy Holly Hall and multiple performances the same day and weekend at the Wagner Noel Performing Arts Center in Midland, continuing into July 25. The month closes with a stop at DECC Symphony Hall in Duluth on July 31, rolling into the Mayo Civic Center Auditorium in Rochester on August 1.
August announcements add more variety, including a special “Killers of Kill Tony w/ David Lucas” show at Victory Theatre in Evansville on August 13. Additional southern and northeastern dates include Huntsville (August 14), Mobile (August 15), Hershey (August 21), Albany (August 22), Syracuse (August 28), and Worcester (August 29).
The fall slate is especially dense. September brings Cedar Rapids (September 11), Peoria (September 12), San Diego (September 18), Indio (September 19), and two shows in one day at The San Jose Civic on September 25. October includes Jacksonville (October 2), West Palm Beach (October 3), Wichita (October 9), Colorado Springs (October 10), Cleveland (October 15), Columbus (October 16), and two Connecticut stops in Stamford (October 23) and Wallingford (October 24).
Late-2026 updates highlight a strong western and Canadian push. Newer listings include Boise (November 6), Spokane (November 7), Athens (November 13), Cincinnati (November 14), two shows in Winnipeg on November 20, Calgary (November 27), Vancouver (November 28), Wheatland (December 4), Laughlin (December 5), and a final announced date at Tropicana Showroom in Atlantic City on December 12, giving fans multiple chances to catch the tour before year’s end.
Fan Guide
For a Killers of Kill Tony show, plan to arrive 60–90 minutes before the listed start time (usually 7:00 or 8:00 p.m.). This gives you time to park, pass security, find your seat, and buy merch or concessions without rushing. Doors usually open 60 minutes before showtime, but for very popular dates or double shows (like the two Winnipeg or Midland performances), earlier arrival is wise.
Every venue has its own rules, but you can expect a few common standards. Large bags, backpacks, and luggage are usually banned; many theaters now allow only clear bags or small purses (often under a specific size, like 12″ x 6″ x 12″). Weapons, outside food and drinks, professional cameras, and recording equipment are typically prohibited. Some venues use metal detectors or bag checks at entry, so pack light to speed things up. Check the specific venue’s website—such as San Diego Civic Theatre, The San Jose Civic, or Orpheum Theatre Vancouver—a day or two before the show for the latest policies.
Parking options vary by city. Downtown locations like Hershey Theatre or Connor Palace in Cleveland may offer attached garages or nearby public lots, but they can fill early. In smaller cities, venues like The Criterion in Oklahoma City or Wichita’s Century II often have surface lots or connected parking. Always confirm if parking is cashless, what the rates are, and whether rideshare drop‑off zones are provided, especially at busy complexes and casino venues.
Most theaters on this tour provide accessibility services, including wheelchair seating, elevators or ramps, accessible restrooms, and companion seating. Many also offer assisted listening devices and priority entry lines. If you need accommodations, contact the box office or accessibility office at least a few days in advance so they can reserve suitable seats and explain arrival instructions in detail.
Kill Tony is the name of a long-running live comedy podcast created and hosted by stand‑up comedian Tony Hinchcliffe, rather than a single stand‑up comedian himself. Launched in 2013 at The Comedy Store in Los Angeles, the show quickly became a cult hit in the stand‑up world because of its unusual blend of live performance, roast-style critique, and improvised crowd work. Tony Hinchcliffe, an Ohio‑born comedian who moved to Los Angeles to pursue stand‑up, built his reputation as a sharp joke writer and “roaster,” contributing to Comedy Central Roasts and writing for other comics before becoming widely known through Kill Tony.
At its core, Kill Tony is a weekly live show where aspiring and professional comedians put their names in a bucket for the chance to perform a 60‑second stand‑up set onstage. After each set, Hinchcliffe, co‑hosts (often comedians like Brian Redban or regulars such as David Lucas), and a rotating panel of guest comics interview the performer and riff on their material. This format makes the show part open mic, part roast, and part comedy workshop. Recorded in front of a live audience, Kill Tony episodes are then released as podcasts and video episodes, allowing fans worldwide to watch the development of new comics and recurring “regulars” who write a fresh minute of material every week.
The comedy style on Kill Tony is unapologetically raw, fast‑paced, and confrontational. Hinchcliffe’s signature is quick, dark, and often offensive one‑liners, combined with rapid-fire crowd work and roasting of both guests and audience members. The show frequently pushes the boundaries of taste and political correctness, which has attracted both a fiercely loyal fan base and occasional controversy.
While Kill Tony itself is not an awards-driven project, its influence is visible in how many comics have gained exposure, industry attention, and touring opportunities through the show. It has helped launch or accelerate careers by turning unknown open‑mic performers into recognizable names within the stand‑up community. Beyond the weekly podcast, the Kill Tony brand now includes live tours across the United States and internationally, theater shows in cities such as Austin, San Diego, and Vancouver, and special event tapings that draw thousands of fans eager to see stand‑up comedy created in real time.
Similar Comedians on Tour
If you enjoy the rapid-fire, unpredictable energy of Kill Tony, you’ll likely appreciate several other comics and shows currently touring. One obvious recommendation is Joe Rogan, whose stand-up blends edgy observations, long-form storytelling, and loose crowd interaction. Many Kill Tony regulars first gained exposure through his podcast, so his audiences overlap heavily with theirs.
Shane Gillis is another strong fit for Kill Tony fans. His act leans into uncomfortable subjects, risky punchlines, and characters that feel like people you’ve actually met at a bar. The tone is similarly fearless, with a willingness to bomb a little in pursuit of a huge payoff, much like the bucket comics on Kill Tony.
Mark Normand, known for his tight joke-writing and relentless pace, offers a different but compatible experience. Where Kill Tony thrives on chaos and riffing, Normand delivers razor-sharp, classic joke structure, but with the same no-sacred-cows attitude that Tony Hinchcliffe fans tend to enjoy.
Sam Morril is another touring comic whose cool, detached delivery hides very dark, clever punchlines. His crowd work specials, packed with improvised jokes, echo the spontaneous, in-the-moment feel of Kill Tony’s panel segments.
Finally, live stand-up tapings and “podcast with audience” shows—like Matt and Shane’s Secret Podcast or Your Mom’s House Live—can scratch the same itch as Kill Tony. They mix stand-up, riffing, and unpredictable audience participation, offering fans that same sense that anything can happen once the show starts.
FAQ – Kill Tony Tour 2026 / 2027
1. What are the confirmed Kill Tony tour dates for 2026 and 2027?
For 2026, confirmed “Killers of Kill Tony” dates run from July 10 to December 12 across North America, including multiple U.S. cities and several Canadian stops. Specific examples include Tucson (July 10), Portland (July 11), Oklahoma City (July 16), Chattanooga (July 18), Hershey (August 21), San Diego (September 18), Jacksonville (October 2), Boise (November 6), Winnipeg (November 20), Calgary (November 27), Vancouver (November 28), and Atlantic City (December 12). Kill Tony tour dates are not announced yet for 2027.
2. Where can fans purchase Kill Tony tour tickets?
Kill Tony show tickets are typically sold via each venue’s official box office and primary ticketing partners such as Ticketmaster or AXS, depending on the location. Many venues also link directly from their own websites to authorized sellers. Fans who prefer secondary marketplaces should stick to reputable resale platforms with buyer guarantees and clear refund policies.
3. What is the usual price range for Kill Tony tickets?
Exact prices vary by city, venue size, and seat location, but comedy theater shows like this often range from roughly $40–$150 before fees, with premium or front‑row seats costing more. Special events, casino venues, and small-capacity theaters may have higher average prices. Always check the official ticket page for accurate, current pricing.
4. At what time are Kill Tony tickets generally released for sale?
On-sale dates differ by venue. Some shows release tickets months in advance, while others go up closer to the performance date. Venues and ticketing sites usually list a specific on‑sale time (often morning or early afternoon local time). Joining venue email lists or following Kill Tony–related social media helps you see on‑sale announcements early.
5. Will there be VIP or meet‑and‑greet packages for this tour?
As of now, only standard ticket information is clearly listed; VIP details are not universally advertised for every stop. Select cities may offer upgraded experiences such as preferred seating or potential add‑ons. Check the specific event page for each date to see if any VIP, premium, or add‑on packages are available.
6. Is it safe to buy Kill Tony tickets through reputable resale sites?
Using major, well‑known reseller platforms that provide verified tickets and buyer protection is generally safe, though prices may be above face value. Avoid purchasing from individuals on social media or unverified websites, as these carry a higher risk of fraud and non‑transferable or fake tickets.
7. Which cities are included on the 2026 Kill Tony routing?
The 2026 “Killers of Kill Tony” run covers a wide spread of U.S. and Canadian cities: Tucson, Portland, Oklahoma City, Little Rock, Chattanooga, Lubbock, Midland, Duluth, Rochester (MN), Evansville, Huntsville, Mobile, Hershey, Albany, Syracuse, Worcester, Cedar Rapids, Peoria, San Diego, Indio, San Jose, Jacksonville, West Palm Beach, Wichita, Colorado Springs, Cleveland, Columbus, Stamford, Wallingford, Boise, Spokane, Athens (GA), Cincinnati, Winnipeg, Calgary, Vancouver, Wheatland, Laughlin, and Atlantic City.
8. At which venues will Kill Tony be performing?
The tour stops at a mix of historic theaters and modern performing arts centers. Examples include The Linda Ronstadt Music Hall (Tucson), Arlene Schnitzer Hall (Portland), The Criterion (Oklahoma City), Robinson Center Music Hall (Little Rock), Soldiers and Sailors Memorial Auditorium (Chattanooga), Buddy Holly Hall’s DeVitt Jones Theater (Lubbock), Wagner Noel Performing Arts Center (Midland), DECC Symphony Hall (Duluth), Mayo Civic Center Auditorium (Rochester), Hershey Theatre, Palace Theatre Albany, Crouse Hinds Theater (Syracuse), The Hanover Theatre (Worcester), Paramount Theatre (Cedar Rapids), Peoria Civic Center’s Prairie Home Alliance Theater, San Diego Civic Theatre, Fantasy Springs Resort Casino Special Events Center (Indio), The San Jose Civic, Moran Theater (Jacksonville), Dreyfoos Hall (West Palm Beach), Century II Performing Arts & Convention Center (Wichita), Pikes Peak Center (Colorado Springs), Connor Palace (Cleveland), Mershon Auditorium (Columbus), Palace Theatre Stamford, Toyota Oakdale Theatre (Wallingford), Morrison Center (Boise), First Interstate Center for the Arts (Spokane), Classic Center Theatre (Athens), Taft Theatre (Cincinnati), Burton Cummings Theatre (Winnipeg), Grey Eagle Event Centre (Calgary), Orpheum Theatre Vancouver, Hard Rock Live Sacramento (Wheatland), Harrah’s Rio Vista Outdoor Amphitheater (Laughlin), and Tropicana Showroom (Atlantic City).
9. How many Kill Tony shows are currently planned for this run?
The 2026 schedule lists over 40 individual performances, including multiple shows in some locations. For example, Midland, San Jose, Wichita, and Winnipeg have more than one time slot or performance date. Additional shows could be added later if demand remains strong.
10. Are there any international dates on the Kill Tony itinerary?
Yes. In addition to extensive U.S. dates, the tour includes Canadian stops in Winnipeg, Calgary, and Vancouver in November 2026. Beyond these Canadian dates, no other international territories (such as Europe or Australia) are officially announced yet.
11. Who is scheduled to open or appear with Kill Tony on tour?
For many stops, detailed lineups are not fully listed publicly. One date specifically notes “Killers of Kill Tony w/ David Lucas” in Evansville on August 13, suggesting he is a featured act there. Because the Kill Tony universe often involves recurring comedians, additional guests may appear, but exact rosters are event‑specific.
12. Approximately how long does a Kill Tony show last?
Live comedy theater shows like these typically run between 90 minutes and two hours, sometimes a bit longer if there is audience interaction, multiple comics, or podcast‑style segments. Exact runtime can vary by city and whether there are openers or second shows that night.
13. Is the Kill Tony performance appropriate for younger children?
Kill Tony–related shows are usually intended for adult audiences, featuring strong language, dark humor, and mature themes. Most parents would likely find the content unsuitable for young children or preteens. Teens may attend in some markets, but guardians should expect unfiltered, adult‑oriented comedy.
14. Are there official age limits for attending the tour?
Age policies differ by venue. Many theaters list a recommended minimum age of 16 or 18, and some may require guests under a certain age to be accompanied by an adult. Venues attached to casinos can be strictly 18+ or 21+. Always check the age restriction notice on the specific event page before purchasing.
15. Will parking be available at the Kill Tony venues?
Most venues on the schedule either have their own parking lots/garages or partner with nearby garages and public parking. In dense downtown areas, you may need to use city parking structures or street parking, often for a fee. Event pages typically detail parking options, prices, and whether cashless payment is required.
16. Are the theaters and halls accessible to guests with disabilities?
Yes. The listed theaters and performing arts centers are modern or updated facilities that generally provide wheelchair seating, ramps or elevators, accessible restrooms, and companion seating. Many also offer services like assistive listening devices. Guests needing accommodations should contact the venue box office in advance to arrange suitable seating and support.